Description
Author: Adichie Chimamanda Ngozi
Brand: Anchor
Color: Cream
Edition: 1
Features:
- Anchor Books
Package Dimensions: 21x203x449
Number Of Pages: 240
Release Date: 01-06-2010
Details: Product Description
From the award-winning, bestselling author of Americanah and We Should All Be Feminists—a dazzling story collection filled with “indelible characters who jump off the page and into your head and heart” (USA Today).
In these twelve riveting stories, the award-winning Chimamanda Ngozi Adichie explores the ties that bind men and women, parents and children, Africa and the United States. Searing and profound, suffused with beauty, sorrow, and longing, these stories map, with Adichie’s signature emotional wisdom, the collision of two cultures and the deeply human struggle to reconcile them.
Review
“Affecting . . . The Africa in Adichie’s collection isn’t the Africa that Americans are familiar with from TV news or newspaper headlines. Her stories are not about civil war or government corruption or deadly illnesses. She is interested in how clashes between tradition and modernity, familial expectations and imported dreams affect relationships between husbands and wives, parents and children.
In these stories, which take place in Nigeria and the United States, questions of belonging and loyalty are multiplied several times over. Her characters, many of whom grew up in Nigeria and emigrated (or saw their relatives emigrate) to America, find themselves unmoored, many stumbling into danger or confusion. Rather than becoming cosmopolitan members of a newly globalized world, they tend to feel dislocated on two continents and caught on the margins of two cultures that are themselves in a rapid state of flux. . . . The most powerful stories in this volume depict immensely complicated, conflicted characters, many of [whom] have experienced the random perils of life firsthand. . . . Adichie demonstrates that she is adept at conjuring the unending personal ripples created by political circumstance, at conjuring both the ‘hard, obvious’ facts of history, and ‘the soft, subtle things that lodge themselves into the soul.'”
–Michiko Kakutani,
The New York Times
“Haunting . . . In the first of these 12 stories set in Nigeria and the U. S., a spoiled college student doing a stint in a Nigerian prison finds he can’t keep silent when the police harass an elderly inmate. In another, what seems like an excellent arranged marriage is doomed once the bride joins her husband in Brooklyn and learns he’s an overbearing bore. And for the lonely narrator of the title story, falling in love means ‘the thing that wrapped itself around your neck, that nearly choked you before you fell asleep,’ is finally loosened. Adichie, a Nigerian who has studied in the U. S., writes with wisdom and compassion about her countrymen’s experiences as foreigners, both in America and in their changing homeland. Here is one of fiction’s most compelling new voices.”
–Vick Boughton,
People, A
People Pick
“Imagine how hard it must be to write stories that make American readers understand what it might be like to visit a brother in a Nigerian jail, to be the new bride in an arranged marriage, to arrive in Flatbush from Lagos to meet a husband or to hide in a basement, waiting for a riot to subside, wondering what happened to a little sister who let go of your hand when you were running. How would it feel to be a woman who smuggled her journalist husband out of Nigeria one day and had her 4-year-old son shot by government thugs the next? If reading stories can make you feel . . . caught between two worlds and frightened, what would it be like to live them? This is Adichie’s third book, and it is fascinating. . . . Characters (many in their teens and early 20s) feel a yanking on invisible collars as they try to strike out on their own. Sometimes, ties are cut by distance, leaving a protagonist disoriented and alone . . . Sometimes a lie or a death cuts the lines of trust that tie a character to the world they inhabit. Most of Adichie’s characters are alone, adrift in a strange physical or emotional landscape. . . . These characters feel
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