A Life of Picasso IV: The Minotaur Years 1933-1943 Hardcover – Deckle Edge, November 16, 2021 by John Richardson

Hardcover

{320 pages}

PUB :November 16, 2021

$28.01

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Description

Author: Richardson John

Color: Multicolor

Format: Deckle Edge

Package Dimensions: 22x232x885

Number Of Pages: 320

Release Date: 16-11-2021

Details: Product Description

The spectacular fourth and final volume of Picasso’s life is set in Paris, Normandy,
the south of France, Royan, and Barcelona during the Spanish Civil War and at the beginning of World War II.

Drawing on original and exhaustive research from interviews and never-before-seen material in the Picasso family archives, this book opens with a visit by the Hungarian-French photographer Brassaï to Picasso’s chateau in Normandy, Boisgeloup, where he would take his iconic photographs of the celebrated plaster busts of Marie-Thérèse, Picasso’s mistress and muse. Picasso was contributing to André Breton’s
Minotaur magazine and he was also spending more time with the likes of Man Ray, Salvador Dalí, Lee Miller, and the poet Paul Éluard, in Paris as well as in the south of France. It was during this time that Picasso began writing surrealist poetry and became obsessed with the image of himself as the mythic Minotaur—head of a bull, body of a man—and created his most famous etching,
Minotauromachie.

Richardson shows us the artist is as prolific as ever, painting Marie-Thérèse, but also painting the surrealist photographer Dora Maar who has become a muse, a collaborator and more. In April 1937, the bombing of the town of Guernica during the Spanish Civil War inspires Picasso’s vast masterwork of the same name, which he paints in just a few weeks for the Spanish Pavilion at the Paris World’s Fair. When the Nazis occupy Paris in 1940, Picasso chooses to remain in the city despite the threat that his art would be confiscated. In 1943, Picasso meets Françoise Gilot who would replace Dora, and as Richardson writes, “rejuvenate his psyche, reawaken his imagery and inspire a brilliant sequence of paintings.” As always, Richardson tells Picasso’s story through his work during this period, analyzing how it shows what the artist was feeling and thinking. His fascinating and accessible narrative immerses us in one of the most exciting moments in twentieth century cultural history, and brings to a close the definitive and critically acclaimed account of one of the world’s most celebrated artists.

Review

“The author’s unique, extensive knowledge and insider information about Picasso—both the man and artist—informs insightful explications of the nuances and symbolism in Picasso’s works….This final, lavishly illustrated volume softly slips away with Richardson continuing to chronicle Picasso obsessively creating. A quiet, satisfying ending to a masterful accomplishment.” —
Kirkus Reviews

About the Author

JOHN RICHARDSON is the author of the memoir,
The Sorcerer’s Apprentice; an essay collection,
Sacred Monsters,
Sacred Masters; and books on Manet and Braque. The first volume of his
Life of Picasso won England’s prestigious Whitbread Award. He wrote for
The New York Review of Books, The New Yorker, and
Vanity Fair. He was instrumental in setting up Christie’s in the United States; was made a Corresponding Fellow of the British Academy in 1993; and served as the Slade Professor of Fine Art at Oxford University from 1995 to 1996. In 2019, Rizzoli published
John Richardson: At Home, featuring Richardson’s art collection and interior design. He died in 2019.

Excerpt. © Reprinted by permission. All rights reserved.

Chapter 1: Rome and the Ballets Russes (1917)
Picasso’s visit to Rome in February 1917 had originally been conceived as a wedding trip, but at the last moment his on-again off-again mistress, Irène Lagut, who had promised to marry him, changed her mind, as her predecessor, Gaby Lespinasse, had done the year before. Instead of Irène, Jean Cocteau accompanied him. In a vain attempt to set himself at the head of the avant-garde, this ambitious young poet had inveigled Picasso into collaborating with him on Parade:
a gimmicky, quasi-modernist ballet about the efforts of a couple of shills to lure the public into their vaudeville theater by tantalizing them with samples of their acts. Cocteau had desperately want

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